Review: 'Spirited Away' deep, brilliant
By Lisa Schwarzbaum
(Entertainment Weekly)
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The gods and spirits of animated cinema have
something to smile about with "Spirited Away."
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(Entertainment Weekly) --
Unhappy to be leaving the familiarity of her
old neighborhood, a sullen and fearful 10-year-old girl wanders away
from her parents on the road to their new home, finds herself in a
mysterious, enchanted world, undergoes trials requiring bravery and
resourcefulness, and emerges with courage to face the new.
The plot might apply to a hundred children's stories,
family-friendly films, and child-development studies. But only the
great Japanese animation artist Hayao Miyazaki could dream up the
marvels of ''Spirited Away,'' a triumph of psychological depth and
artistic brilliance offered as the magical adventures of one skinny
little girl.
Hollywood actors dub the dialogue in this English-language release
-- including Daveigh Chase (Lilo of ''Lilo & Stitch'') as the
reluctant heroine Chihiro, Lauren Holly as her mother, Michael
Chiklis as her father, and Suzanne Pleshette as warty twin
sorceresses Yubaba and Zeniba.
Still, the voices matter little in a universe that floats on
images of such sublime, fluid anime beauty.
The shadowy bathhouse and
amusement park for the spirits that Chihiro enters -- in the original
Japanese, the realm belongs to gods -- is a riot of busyness and
personages haunting, funny, and often both: While the hulking,
semitransparent figure called No-Face invokes loneliness, the
gargantuan infant called Boh embodies the state of being spoiled
rotten.
Having sidled its corporate way around Miyazaki's work before,
first with Buena Vista's 1998 video release of ''Kiki's Delivery
Service,'' then with Miramax's 1999 run of ''Princess Mononoke,''
Disney is smart to squire the American release of a Japanese animated
masterpiece as resplendent as any in the great company repertory. If
the words ''Walt Disney Studios Presents'' bring more viewers to the
thrills of ''Spirited Away'' (the highest-grossing film in Japanese
box office history), the gods and spirits of animated cinema will
smile.